At the heart of the exhibition is a serene, almost meditative showcase of rarely seen black-and-white photographs by Austrian photographer Christine de Grancy, capturing David Bowie’s 1994 visit to the Art Brut Center in Gugging. These images are not of the glam-era Bowie or the theatrical alien rock star. They show something quieter and more intimate: Bowie seated on a lawn, cigarette in hand, enveloped in dusk, deeply present and reflective. This is the Bowie who leans in close, who listens, who allows himself to be moved by the work of others. That quiet openness is what makes the setting so soulful—and what makes this exhibition feel so personal.
My piece, Ziggy and my Favorite Extraterrestrials, riffs on the mythology of Bowie’s iconic character but pushes beyond the Ziggy archetype into a kind of cosmic language—part mythology, part inner theater. It’s about transformation, reinvention, and letting the strange and beautiful lead the way. To have that work hanging within an exhibit that so thoughtfully honors Bowie’s own openness to the outsider, the uncanny, and the deeply human is more than just a professional milestone—it’s a kind of artistic alignment.
Originally scheduled for a shorter run, the show has now been extended—twice—into late September. I’m beyond grateful that my work gets to be part of this moment, part of this conversation, and part of the quiet magic this show seems to offer.
